Rose admits she does get migraines and that she was a difficult birth when she was born - Emma offers to help her.Įven though Peter has told Emma to stay with young girls, she’s drawn to them. Emma texts Rose, apologizing for her nose. Meanwhile, Rose’s mother berates her for getting new hair. Peter follows the girl to the foster home. Years of grief and determination to find her daughter hasn’t made her a trusting character.Ī young girl walks home, and Peter pulls over and asks if she’s from the foster home. It’s strange how Mary has been framed in the story - for someone who has lost her daughter in awful circumstances, it’s surprising how it’s difficult to sympathize with her as a viewer there’s something sinister about her. She gives a rousing speech about her daughter and vows to not give up on Theresa. It’s a large vigil with plenty of parents who are in the same situation. Mary organizes an event at the church for the parents of victims who Parker killed. Meanwhile, Peter listens into the counseling session - this is a concerning level of control and breach of privacy. She feels she is staying because he’s a great father, but not a good husband. Lisa speaks to a counselor about her relationship with Peter. Angela is the mother of Karen Miller (aka Emma). John calls her a good person, but Angela disagrees, stating she raised a monster - she explains that people decorate her house with “murderer” now and again. Angela tells John that she’s a grieving mother and traded alcohol for cigarettes. He tells Angela that his daughter’s name is Theresa. John claims he doesn’t like public speaking at the AA meeting and that it makes him very nervous. She takes him to a diner to help him recover. A woman named Angela helps him on the floor. Emma notes that she has deep indentations in her skull and asks Rose if she had a difficult birth. Emma cuts Rose’s hairĪt Georgia’s hairdressers, a young girl named Rose enters the same girl Emma smashed into a mirror who was bullying Jess. She senses John craves company in his new life as an ex-predator. Mary does not give a sh*t about John, but she’s pretending to. Mary believes he can apply the same gap to find out what Karen Miller loved - just like he did with his victims, and in turn, find her. John explains he was on about the gap between victims and predators in a different context. John states he isn’t a cop, but Mary reminds him of “the gap” he mentioned in her office. Mary admits she wasn’t thinking clearly when she made the proposal, but she reiterates that he wants him to find Karen Miller. He takes some deep breaths and self-meditates to help him not relapse. Mary asks John to “find the gap”Īfter Mary’s blackmail, John gets ready for the day by suiting up. The thriller deepens already, convincing the audience that Emma has ironically found herself in the pit of a serial killer in her new town. The officer is worried about Emma’s hallucinations she’s drinking while on medication and doesn’t believe she saw a dead body. She’s adamant that there was a dead body. When the officer walks in, he tells Emma to join him. It opens with Emma showing her witness protection officer her friend Jess who has been killed in the cabin down the river. Now that the characters are established, “Burn Me When I’m Gone” starts this peculiar love and despair story.
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